She says, “The mayor is ipso jure unlawful.” She uses Latin. In the beginning, when times were good, this would have been something of an aphrodisiac, her passion and intelligence radiating beneath the covers. Sometimes I’ll wake in the middle of the night and see her next to me, looking at her laptop, pie charts glowing up in her face. She’s the one with the poli-sci degree in this relationship, socially engaged and crunching numbers, and I’m the former high-school jock, lettering in three sports at the expense of my G.P.A. “Look at the data,” she tells me, but I never know what data she’s talking about. Meanwhile, the future of the city hangs in the balance, things going from bad to worse-public transportation, mail delivery, garbage removal-thanks to the mayor, six terms and still nothing to show for it. “The personal is political,” Molly always says, implying that if we break up it won’t be her fault. Plus, it was compounded by the latest poll numbers, which put our candidate three points behind, with three days to go until the election. ![]() Today’s particular conflict had been set in motion by the banal-who’d left a cereal bowl in the sink-but obviously indicated a wider problem. The bickering had started after we both got home from work first we were arguing, and then we were shouting, and then she disappeared into the bedroom and slammed the door hard, emerging fifteen minutes later, composed, dressed, and ready to go. “You’re welcome,” she said, but she only closed it halfway. It’s getting dark and it’s getting cold, and neither one of us has said more than a few passive-aggressive sentences to the other, like when I thanked her for putting her window up, as if she’d done me a big favor. On Molly’s lap, propped against the steering wheel, is the clipboard with the street addresses, about fifty of them, listed alongside the pertinent info-name, age, etc.-culled from the Internet and written in her perfect handwriting, evidence that she had gone to a good school in the suburbs. I want everyone who sees it to gasp in horror.We’re sitting underneath the overpass, Molly and I, lights off, motor on, staring through the windshield at the row of houses up the hill. I want this creature to be disgusting and hideous. ![]() I want something never before seen and the more futuristic, reptilian alien that you can design the better. I want you to be creative and to think outside the box. The movie will be filmed in 4K so it is imperative that I have delivery of this in a 4K file that will work for my film. I also need to own 100% of all the rights to the creature and I need high resolution files and 4K files of the full body and face of the creature. I want every person who ever lays eyes on this creature to gasp in horror. Look at the creature from the movie "Alien" and then create something for me that is even better and more amazingly despicable in nature. When people see the movie I want them to be talking about the magnificently, repulsive and disgusting creature that you created for this movie. I am looking for someone who is amazingly creative who can create the most unforgettable reptilian alien creature ever created. I am looking for a design so gruesome and scary that just the site of it makes you gasp. Basically it will be a reptilian, alien human type creature. The creature needs to be able to walk on 2 feet like a human. The alien needs to be reptilian in nature, with gold or yellow snake like eyes that somewhat glow. I am looking for someone to design a full body alien creature for a movie. We promise you rich character development, engaging dialog and a meaningful experience. We promise never to cut corners on a screenplay. We promise to deliver to you a memorable, enjoyable movie. ![]() We want you to become immersed in our movies and invested in all of our characters and the outcome. Our team has the desire, passion, experience and talent to give the public what they crave. ![]() Our team wants to make incredible movies that you love and that are so great you are compelled to tell your family and friends about them. All of our team members have decades of experience (videography, editing, pre/post production, sound, lighting, grip, etc.) including awards for short films, Telly awards, ITVA awards, and credits for numerous films, documentaries, media presentations and commercials. We are building, growing and shaping a Midwest alternative to Hollywood. If you are fed up with the movies that Hollywood cranks out year after year then please take a look at us. We are an experienced group passionate about movies with a strong desire to produce memorable movies.
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